Willibald Sauerländer

Ein Beitrag zur kunstgeschichtlichen Stellung der Strassburger Querhausskulpturen

Von Sens bis Strassburg

Willibald Sauerlander

Volumes I and II bring together Professor Sauerländer's papers on Romanesque art, and complement his two previously published volumes in this series on Gothic art. The studies are again grouped around a number of common themes: structures, problems of classification, the geography of Romanesque art, and its development in Italy and the Empire. Early studies have been updated with references to the more recent literature, and there is a comprehensive index. Volume I Contents: Introduction; Forms and Structures. Romanesque Sculpture in its Architectural Context; Façade ou façades romanes; Reliquien, Altäre und Portale; Die gestörte Ordnung oder "le chapiteau historié"; Initialen. Ein Versuch ueber das verworrene Verhältnis von Bild und Schrift im Mittelalter; The Limits of Classification. Die Geographie der Stile; Style or Transition? The Fallacies of Classification discussed in the Light of German Architecture 1190-1260; Sermonizing in Stone. Über die Komposition des Weltgerichts-Tympanons in Autun; Omnes perversi sic sunt in Tartara Mersi. Skulptur als Bildpredikt. Das Weltgerichtstympanon von Sainte-Foy in Conques; Nisi transmutetis mores. Riflessioni sull'ambiguita dell'iconografia romanica; The Diversity of French Examples. Chefs-d'Oeuvre romans des musées de province; Gislebertus von Autun. Ein Beitrag zur Entstehung seines kuenstlerischen Stils; Löwen in Lyon; Eine trauernde Maria des 12. Jahrhunderts aus dem mittleren Rhônetal; Die Fassade der Abteikirche Saint-Gilles du Gard; Sainte-Foy de Conques; Die Skulptur von Saint-Sernin in Toulouse; Zu dem romanischen Krucifix in Moissac.

Romanesque Art Problems and Monuments

Romanesque Art Problems and Monuments: Forms and structures ; The limits of classification ; Sermonizing in stone ; The diversity of French examples ; Burgundy and the Valley of the Rhone

Metropolitan Museum of Art (New York, N.Y.)

Charles T. Little

The Face in Medieval Sculpture

Set in Stone

Willibald Sauerländer

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