Yale University. Art Gallery

Mark Ruwedel

A collection of photographs taken of abandoned railroad lines, built since 1869, landforms and ruins created by the railroads including cuts, grades, collapsed tunnels and derelict trestles.

The Course of Empire

Westward

Jacquelynn Baas

Baltimore Museum of Art

University of Michigan. Museum of Art

Richard S. Field

The Artistic Revival of the Woodcut in France 1850-1900

Robert L. Herbert

Arthur G. Altschul

Neo-impressionists and Nabis in the Collection of Arthur G. Altschul

Alan Shestack

Charles W. Talbot

An Exhibition of South German and Austrian Graphic Art of 1500 to 1560; [catalogue]

Prints and Drawings of the Danube School

Catalogue of an exhibition held at Yale University Art Gallery, April 13 - June 26, 1983.

Word+image in Italian Futurist Painting, Drawing, Collage, and Free-word Poetry : Yale University Art Gallery, New Haven, Connecticut, April 13-June 26th, 1983

The Futurist Imagination

Yale Art Gallery Bulletin

Sara Murphy

"Gerald and Sara Murphy took Paris by storm in the 1920s, inserting themselves into the avant-garde circles of dance, music, and art. Lively and engaging, Making It New sheds new light on the European fascination with the Murphys and provides key insights into their life and art."--Cecile Whiting, author of Pop L.A.: Art and the City in the 1960s "By telling and retelling the story of the Murphys from various viewpoints, Making It New aims to be the first comprehensive study of their contribution to Modern Art. This book should be of wide interest to both scholars and general readers."--Elizabeth Hutton Turner, author of Americans in Paris: Man Ray, Gerald Murphy, Stuart Davis, Alexander Calder

The Art and Style of Sara and Gerald Murphy

Making it New

Toledo Museum of Art

Charles Méryon

James D. Burke

Prints & Drawings

Charles Meryon

A Loan Exhibition, May 4-June 18, 1967, Yale University Art Gallery

The Helen W. and Robert M. Benjamin Collection

Alice Wolf

The Edward B. Greene Collection of Engraved Portraits and Portrait Drawings at Yale University

Jennifer Reynolds-Kaye

Small-Great Objects presents a remarkable look into the art-collecting practices of two of modern art's most widely influential figures, Anni (1899-1994) and Josef (1888-1976) Albers. Their impressive collection of over 1,400 objects from Latin America, namely Mexico and Peru, represents a conscious endeavor that goes well beyond that of a casual hobby, displaying a deep appreciation for the art, textiles, and overall ingenuity of the ancient American world. This insightful book draws on primary-source materials such as the couple's letters, personal papers, and archival photographs--many never before published--and demonstrates their conviction that these Prehispanic objects displayed a formal sophistication and bold abstraction that defy the prevalent conception of the works as "primitive." Moreover, it shows how the Alberses spread their appreciation of the ancient world to others, through their teachings, their writings, and their own art practices.

Anni and Josef Albers in the Americas

Small-great Objects

John Stuart Gordon

"Draws upon the renowned collection of American decorative arts at the Yale University Art Gallery to explore the appearance and dissemination of modern design in the United States. This catalogue organizes roughly 300 examples of silver, glass, industrial design, furniture, medals, jewelry, and printed textiles into thematic groups that chart the aesthetic and social trends that defined American design from the Jazz Age to the Space Age. The authors consider modernism broadly--from handmade luxury goods to mass-produced housewares--establishing a context for the objects within larger international developments in architecture, avant-garde art, and scientific innovation."--Publisher description.

American Design from the Yale University Art Gallery, 1920-1950

A Modern World

Yale University. Art Gallery

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