Howard Chiang

Yin Wang

Cover -- Title -- Copyright -- Contents -- List of figures -- Notes on contributors -- 1 Perverse Taiwan -- PART I Turning queer in straight times: reframing genealogies -- 2 Archiving Taiwan, articulating renyao -- 3 Plural not singular: homosexuality in Taiwanese literature of the 1960s -- 4 From psychoanalysis to AIDS: the early contradictory approaches to gender and sexuality and the recourse to American discourses during Taiwan's societal transformation in the early 1980s -- PART II Orderly subjects of disorderly conducts: redefining positionalities -- 5 "Are you a T, Po, or bufen?": transnational cultural politics and lesbian identity formation in contemporary Taiwan -- 6 Patrilineal kinship and transgender embodiment in Taiwan -- PART III Normal nation and deviant narrations: refiguring embodiments -- 7 Performing hybridity: the music and visual politics of male cross-dressing performance in Taiwan -- 8 Market visibility: the development and vicissitudes of tongzhi cinema in Taiwan -- 9 Defacing shame -- 10 A canvas of foreign characters: post/colonial modernity in Lai Xiangyin's "The Translator" and Thereafter -- Index

Perverse Taiwan

Host of the first gay pride in the Sinophone world, Taiwan is well-known for its mushrooming of liberal attitudes towards non-normative genders and sexualities after the lifting of Martial Law in 1987. Perverse Taiwan is the first collection of its kind to contextualize that development from an interdisciplinary perspective, focusing on its genealogical roots, sociological manifestations, and cultural representations. This book enriches and reorients our understanding of postcolonial queer East Asia. Challenging a heteronormative understanding of Taiwan’s past and present, it provides fresh critical analyses of a range of topics from queer criminality and literature in the 1950s and 1960s to the growing popularity of cross-dressing performance and tongzhi (gay and lesbian) cinema on the cusp of a new millennium. Together, the contributions provide a detailed account of the rise and transformations of queer cultures in post-World War II Taiwan. By instigating new dialogues across disciplinary divides, this book will have broad appeal to students and scholars of Asian studies and queer studies, especially those interested in history, anthropology, literature, film, media, and performance.

Yin Wang

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