Zora Neale Hurston

One of the most important works of twentieth-century American literature, Zora Neale Hurston's beloved 1937 classic, Their Eyes Were Watching God, is an enduring Southern love story sparkling with wit, beauty, and heartfelt wisdom. Told in the captivating voice of a woman who refuses to live in sorrow, bitterness, fear, or foolish romantic dreams, it is the story of fair-skinned, fiercely independent Janie Crawford, and her evolving selfhood through three marriages and a life marked by poverty, trials, and purpose. A true literary wonder, Hurston's masterwork remains as relevant and affecting today as when it was first published -- perhaps the most widely read and highly regarded novel in the entire canon of African American literature.

Their Eyes Were Watching God

Barracoon

From "one of the greatest writers of our time" (Toni Morrison)--the author of Barracoon and Their Eyes Were Watching God--a collection of remarkable stories, including eight "lost" Harlem Renaissance tales now available to a wide audience for the first time. In May 1925, Barnard student Zora Neale Hurston--the sole black student at the college--was living in New York, "desperately striving for a toe-hold on the world." During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American artists of the modern period. Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston's "lost" Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales reflective of the cultural currents of Hurston's world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer's voice and her contributions to America's literary traditions.

Stories from the Harlem Renaissance

Hitting a Straight Lick with a Crooked Stick

The author recounts her experiences as an initiate into the voodoo practices of Haiti and Jamaica in the 1930s

Voodoo and Life in Haiti and Jamaica

Tell My Horse

Mules and Men

Henry Louis Gates

Genevieve West

Introduction by New York Times bestselling author Henry Louis Gates Jr. Spanning more than 35 years of work, the first comprehensive collection of essays, criticism, and articles by the legendary author of the Harlem Renaissance, Zora Neale Hurston, showcasing the evolution of her distinctive style as an archivist and author. "One of the greatest writers of our time."--Toni Morrison One of the most acclaimed artists of the Harlem Renaissance, Zora Neale Hurston was a gifted novelist, playwright, and essayist. Drawn from three decades of her work, this anthology showcases her development as a writer, from her early pieces expounding on the beauty and precision of African American art to some of her final published works, covering the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing a white doctor. Among the selections are Hurston's well-known works such as "How It Feels to be Colored Me" and "My Most Humiliating Jim Crow Experience." The essays in this essential collection are grouped thematically and cover a panoply of topics, including politics, race and gender, and folkloric study from the height of the Harlem Renaissance to the early years of the Civil Rights movement. Demonstrating the breadth of this revered and influential writer's work, You Don't Know Us Negroes and Other Essays is an invaluable chronicle of a writer's development and a window into her world and time.

You Don't Know Us Negroes and Other Essays

First published in 1942 at the height of her popularity, Dust Tracks on a Road is Zora Neale Hurston's candid, funny, bold, and poignant autobiography, an imaginative and exuberant account of her rise from childhood poverty in the rural South to a prominent place among the leading artists and intellectuals of the Harlem Renaissance. As compelling as her acclaimed fiction, Hurston's very personal literary self-portrait offers a revealing, often audacious glimpse into the life -- public and private -- of an extraordinary artist, anthropologist, chronicler, and champion of the black experience in America. Full of the wit and wisdom of a proud, spirited woman who started off low and climbed high, Dust Tracks on a Road is a rare treasure from one of literature's most cherished voices.

An Autobiography

Dust Tracks on a Road

Mary Helen Washington

Anthology of essays, folklore and fiction by a leading figure in the Harlem Renaissance

A Zora Neale Hurston Reader

I Love Myself when I Am Laughing ... and Then Again when I Am Looking Mean and Impressive

Now frequently anthologized, Zora Neale Hurston's short story "Sweat" was first published in Firell, a legendary literary magazine of the Harlem Renaissance, whose sole issue appeared in November 1926. Among contributions by Gwendolyn Bennett, Countee Cullen, Langston Hughes, and Wallace Thurman, "Sweat" stood out both for its artistic accomplishment and its exploration of rural Southern black life. In "Sweat" Hurston claimed the voice that animates her mature fiction, notably the 1937 novel Their Eyes Were Watching God; the themes of marital conflict and the development of spiritual consciousness were introduced as well. "Sweat" exemplifies Hurston's lifelong concern with women's relation to language and the literary possibilities of black vernacular. This casebook for the story includes an introduction by the editor, a chronology of the author's life, the authoritative text of "Sweat," and a second story, "The Gilded Six-Bits." Published in 1932, this second story was written after Hurston had spent years conducting fieldwork in the Southern United States. The volume also includes Hurston's groundbreaking 1934 essay, "Characteristics of Negro Expression," and excerpts from her autobiography, Dust Tracks on a Road. An article by folklorist Roger Abrahams provides additional cultural contexts for the story, as do selected blues and spirituals. Critical commentary comes from Alice Walker, who led the recovery of Hurston's work in the 1970s, Robert Hemenway, Henry Louis Gates, Gayl Jones, John Lowe, Kathryn Seidel, and Mary Helen Washington.

Sweat

John Buddy Pearson, a young Black man who becomes a popular pastor at Zion Hope, is unable to reconcile his good intentions and his natural instincts

Jonah's Gourd Vine

One of the most important essays about the African-American experience in the United States is Zora Neale Hurston's How It Feels To Be Colored Me, originally published in The World Tomorrow in May 1928. Hurston's was an original voice in the first half of the 20th century. As she reflects on her early childhood in an all-black Florida town, and her first experiences in later life feeling "different," Hurston largely focuses on the similarities we all share and on her own self-respect and identity. "Through it all, I remain myself." This short work is part of Applewood's "American Roots" series, tactile mementoes of American passions by some of America's most famous writers and thinkers.

How It Feels to Be Colored Me

Based on acclaimed author Zora Neale Hurston's personal experiences in Haiti and Jamaica—where she participated as an initiate rather than just an observer during her visits in the 1930s—Tell My Horse is a fascinating firsthand account of the mysteries of Voodoo. An invaluable resource and remarkable guide to Voodoo practices, rituals, and beliefs, it is a travelogue into a dark, mystical world that offers a vividly authentic picture of ceremonies, customs, and superstitions.

A retelling of the story of Moses serves as an allegory for the struggle of American Blacks for release from slavery

Moses, Man of the Mountain

The Sanctified Church is a collection of Hurston's ground-breaking essays on Afro-American folklore, legend, popular mythology, and, in particular, the unique spiritual character of the Soouthern Black Christian Church. Along with preserving the customs, music, speech, and humor of rural Black America, The Sanctified Church introduces us to such extraordinary figures as Mother Catherine, matriarchal founder of a highly personal Voodoo Christian sect; Uncle Monday, healer, conjurer, and powerful herb doctor; and High John de Conquer, the trickster/shaman figure of freedom and laughter still honored in parts of rural Black America today. A pioneering ethnographer and floklore scholar, the great Zora Neale Hurston captured the exuberance, vitality and genius of Black culture with a vividness and authority unmatched by any other writer. (Back cover).

The Sanctified Church

A delightful collection portraying the energy and dynamism of black culture includes the noted author's early works and follows her evolution into a literary genius and contains such stories as "Muttsy," "Isis," "Spunk," and more. Reprint. IP.

The Selected Stories of Zora Neale Hurston

Spunk

Rita Marshall

Love is Fragile

The Gilded Six-bits

Ayşe Şirin Okyayuz Yener

Tanrıya bakıyorlardı

This landmark gathering of Zora Neale Hurston's short fiction—most of which appeared only in literary magazines during her lifetime—reveals the evolution of one of the most important African American writers. Spanning her career from 1921 to 1955, these stories attest to Hurston's tremendous range and establish themes that recur in her longer fiction. With rich language and imagery, the stories in this collection not only map Hurston's development and concerns as a writer but also provide an invaluable reflection of the mind and imagination of the author of the acclaimed novel Their Eyes Were Watching God.

The Complete Stories

This novel of turn-of-the-century white "Florida Crackers" marks a daring departure for the author famous for her complex accounts of black culture and heritage. Full of insights into the nature of love, attraction, faith, and loyalty, Seraph on the Suwanee is the compelling story of two people at once deeply in love and deeply at odds. The heroine, young Arvay Henson, is convinced she will never find true love and happiness, and defends herself from unwanted suitors by throwing hysterical fits and professing religious fervor. Arvay meets her match, however, in handsome Jim Meserve, a bright, enterprising young man who knows that Arvay is the woman for him, and refuses to allow her to convince him otherwise. With the same passion and understanding that have made Their Eyes Were Watching God a classic, Hurston explores the evolution of a marriage full of love but very little communication and the desires of a young woman In search of herself and her place in the world.

Zora Neale Hurston

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