Name: Chuck Klosterman on Media and Culture
ISBN: 9781451624960

Chuck Klosterman

From Sex, Drugs, and Cocoa Puffs; Chuck Klosterman IV; and Eating the Dinosaur, these essays are now available in this ebook collection for fans of Klosterman’s writing on media and culture.

A Collection of Previously Published Essays

Chuck Klosterman on Media and Culture

Gavin

Exciting raids on petty tyrannies. Of: contemporary sexuality, cereal adverts, the implications of the 00s pirate craze, questions in general, the Unabomber’s good point. Klosterman’s not going to get away without comparison to DFW – but he’s really good in his own way too. He’s a more relaxed, atheoretical Wallace, with pop music (rather than Art writing) at his core, and technology (rather than general Irony) as the source of his worries about us all. 

This slices through the reflexivity that causes modern confusions, while being mischievously reflexive himself (at one point he tells us that he once lied to an interviewer who had correctly identified Klosterman’s mouthpiece in one of his novels; Klosterman denied that he shared the character’s view in order to preserve a cheap narrative uncertainty for readers of the interview – but, of course, admitting that here undoes that cheap save for we third-order readers). 

Applied instance: “We assume that commercials are not just informing us about purchasable products, because that would be crude and ineffective. We’re smarter than that. But that understanding makes us more vulnerable. We’ve become the ideal audience for advertising—consumers who intellectually magnify commercials in order to make them more trenchant and clever than they actually are. Our fluency with the language and motives of the advertiser induces us to create new, better meanings for whatever they show us. We do most of the work for them.” 
Two quibbles: there is (what I take to be) a lack of ideological care you’d expect of pieces written for Esquire magazine. He doesn’t resolve (as I think DFW mostly does) the tension between a) affirming low culture’s power and unique charms against bullshit classist disparagement, and b) despising its crudest, most conservative common denominators. 

Went through it in an hour.

Chuck Klosterman on Media and Culture A Collection of Previously Published Essays

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