Name: Electra
ISBN: 9781854597564

Sophocles

The Drama Classic edition of Sophocles' version of the Electra myth.

Electra

lala

It’s not really a book, but rather a play that you read. I was surprised by how easy to read this play is, compared to other known Greek plays such as The Oresteia. This play centres Electra, whose father, Agamemnon was murdered by her mother, Clytemnestra for sacrificing their daughter Iphigenia to gain favours from the Gods and sail to Troy. I like how the play incorporates more dialogue of Electra rather than a lot of parts reserved for the Chorus (lol). Honestly I have no words other than I side with Clytemnestra, I think Agamemnon deserved what’s coming to him, but I also understand the despair and agony that Electra feels in this play.

Maite Alarcon Leon

** spoiler alert **
           I personally enjoyed more Euripides's version. This one portrayed Electra more helpless than one would think her. Chrysothemis is an absolut fool.

Ahmed Saeed

اعتقد الحاجه اللي استمتعت بيها أكتر هنا هي بلاغة وبيان ترجمه طه حسين

dana

and orestes said “i’m dead,” you know, like a liar.

The Electra

Cait🪼

savannah eden

Nikita 

Rowan Myers

suspiria

Bringing new life to this important work, renowned poet Anne Carson and distinguished classicist Michael Shaw flesh out all the suspense and horror that make "Electra" a classic of Greek tragedy.

nina

Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the general editorship of Peter Burian and Alan Shapiro, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the play. Although it has been at times overshadowed by his more famous Oedipus Tyrannus and Antigone, Sophocles' Electra is remarkable for its extreme emotions and taut drama. Electra recounts the murders of Clytemnestra and Aegisthus by Clytemnestra's son Orestes, to avenge their murder of his father Agamemnon, commander of the Greeks at Troy, upon his return home. Sophocles' version is presented from the viewpoint of Electra, Orestes' sister, who laments her father, bears witness to her mother's crime, and for years endures her mother's scorn. Despite her overwhelming passion for just revenge, Electra admits that her own actions are shameful. When Orestes arrives at last, her mood shifts from grief to joy, as Orestes carries out the bloody vengeance. Sophocles presents this story as a savage though necessary act of vengeance, vividly depicting Electra's grief, anger, and exultation. This translation equals the original in ferocity of expression, and leaves intact the inarticulate cries of suffering and joy that fill the play.