Name: Every Day is for the Thief
ISBN: 9789780805159

Teju Cole

Every Day is for the Thief

NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY DWIGHT GARNER, THE NEW YORK TIMES • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY San Francisco Chronicle | NPR | The Root | The Telegraph | The Globe and Mail NATIONAL BESTSELLER • FINALIST, PHILLIS WHEATLEY BOOK AWARD • TEJU COLE WAS NAMED ONE OF THE MOST INFLUENTIAL AFRICANS OF THE YEAR BY NEW AFRICAN MAGAZINE For readers of Chimamanda Ngozi Adichie and Michael Ondaatje, Every Day Is for the Thief is a wholly original work of fiction by Teju Cole, whose critically acclaimed debut, Open City, was the winner of the PEN/Hemingway Award and a finalist for the National Book Critics Circle Award, and was named one of the best books of the year by more than twenty publications. Fifteen years is a long time to be away from home. It feels longer still because I left under a cloud. A young Nigerian living in New York City goes home to Lagos for a short visit, finding a city both familiar and strange. In a city dense with story, the unnamed narrator moves through a mosaic of life, hoping to find inspiration for his own. He witnesses the “yahoo yahoo” diligently perpetrating email frauds from an Internet café, longs after a mysterious woman reading on a public bus who disembarks and disappears into a bookless crowd, and recalls the tragic fate of an eleven-year-old boy accused of stealing at a local market. Along the way, the man reconnects with old friends, a former girlfriend, and extended family, taps into the energies of Lagos life—creative, malevolent, ambiguous—and slowly begins to reconcile the profound changes that have taken place in his country and the truth about himself. In spare, precise prose that sees humanity everywhere, interwoven with original photos by the author, Every Day Is for the Thief—originally published in Nigeria in 2007—is a wholly original work of fiction. This revised and updated edition is the first version of this unique book to be made available outside Africa. You’ve never read a book like Every Day Is for the Thief because no one writes like Teju Cole. Praise for Every Day Is for the Thief “A luminous rumination on storytelling and place, exile and return . . . extraordinary.”—San Francisco Chronicle “Cole is following in a long tradition of writerly walkers who, in the tradition of Baudelaire, make their way through urban spaces on foot and take their time doing so. Like Alfred Kazin, Joseph Mitchell, J. M. Coetzee, and W. G. Sebald (with whom he is often compared), Cole adds to the literature in his own zeitgeisty fashion.”—The Boston Globe

Fiction

Every Day Is for the Thief

Jennifer

There's stereotypes out that all Nigerians are scammers and how the people are corrupt. Well, in this book, many chapters are a short story or quick example about how corrupt Lagos, Nigeria is. Other chapters are quick glimpses into a scene of life (not necessarily Nigerian-only life). Other chapters speak to the violence. I also learned about Lagos history, their involvement in transatlantic slavery, and current economic situation. Wow. All in all, it made me realllyyyy not want to go there (but obviously if I had the opportunity I still would). It definitely feels like a memoir more than a novel, and makes me think it is loosely based on real life. I appreciated the author's focus on art and how art begets hope in such a corrupt world. That is the message I'm taking away from this and one that I will remember whenever I am disheartened by current events in the US.

Life in Nigeria without ever being in Nigeria from a certain point of view. Tells how a certain level of corruption has eaten into normalisation to the point where, one just has to live with it. For some, in hope that someday things may change for the better and for others, it has gotten to the point where “ necessary evil” comes to play. For survival, it’s either you do what you need to do to survive or you let Nigeria trample on you

Jeffery Tay

雪 xue

Marion

Rob Baker

Akinwale Oshodi

"Visiting Lagos after many years away, Teju Cole's unnamed narrator rediscovers his hometown as both a foreigner and a local. A young writer uncertain of what he wants to say, the man moves through tableaus of life in one of the most dynamic cities in the world: he hears the muezzin's call to prayer in the early morning light, and listens to John Coltrane during the late afternoon heat. He witnesses teenagers diligently perpetrating e-mail frauds from internet cafes, longs after a woman reading Michael Ondaatje on a public bus, and visits the impoverished National Museum. Along the way, he reconnects with old school friends and his family, who force him to ask himself profound questions of personal and national history. Over long, wandering days, the narrator compares present-day Lagos to the Lagos of his memory, and in doing so reveals changes that have taken place in himself. Just as Open City uses New York to reveal layers of the narrator's soul, in Every Day is for the Thief the complex, beautiful, generous, and corrupt city of Lagos exposes truths about our protagonist, and ourselves"--

Morgan Thomas

Returning to Lagos after several years in New York City, a young Nigerian writer rediscovers his hometown as both a foreigner and a local while reconnecting with old friends, comparing Lagos to the home of his memory and realizing how he himself has changed. 25,000 first printing.

Brad Mitchell

Roger Amundsen

Brigid Hogan

Tracey O’Rourke

A young man decides to visit Nigeria after years of absence. Ahead lies the difficult journey back to the family house and all its memories; meetings with childhood friends and above all, facing up to the paradox of Nigeria, whose present is as burdened by the past as it is facing a new future. Along the way, our narrator encounters life in Lagos. He is captivated by a woman reading on a danfo; attempts to check his email are frustrated by Yahoo boys; he is charmingly duped buying fuel. He admires the grace of an aunty, bereaved by armed robbers and is inspired by the new malls and cultural venues. The question is: should he stay or should he leave? But before the story can even begin, he has to queue for his visa.. Every Day is for the Thiefis a striking portrait of Nigeria in change. Through a series of cinematic portraits of everyday life in Lagos, Teju Cole provides a fresh approach to the returnee experience.- See more at: http://www.cassavarepublic.biz/products/every-day-is-for-the-thief#sthash.qe7r4oNv.dpuf