Undercurrents engages the critical rubric of "queer" to examine Hong Kong's screen and media culture during the transitional and immediate postcolonial period. Helen Hok-Sze Leung draws on theoretical insights from a range of disciplines to reveal parallels between the crisis and uncertainty of the territory's postcolonial transition and the queer aspects of its cultural productions. Undercurrents uncovers a queer media culture that has been largely overlooked by critics in the West, and demonstrates the cultural vitality of Hong Kong amidst political transition