The contributors to this volume, from a range of academic disciplines and artistic traditions, illuminate previously unexplored aspects of the internationally renowned Sacco and Vanzetti case. Rather than take up the question of whether the two Italian immigrant anarchists were guilty, the essays in this book analyze literary-, artistic-, and mass-mediated representations of Sacco and Vanzetti, linking them to stereotypes of so-called "foreigners" and "others" that prevailed in the 1920s, and interrogating those images that prevail in our own age.