Name: Road Rage
ISBN: 9781623020408

Stephen King

Joe Hill

Richard Matheson

Chris Ryall

Acclaimed novelist/Eisner-winning graphic novelist Joe Hill collaborated with his father, Stephen King, in Throttle, for the first time on a tale that paid tribute to Richard Matheson's classic tale, Duel. Now, IDW is proud to present comic-book tellings of both stories in Road Rage. Adapted by Chris Ryall with art by Nelson Daniel and Rafa Garres.

Road Rage

Amok

Justin Staack

6,5 Punkte.

Ein Buch voller widerlicher Charaktere, die man nicht verstehen kann und sämtliche Logik bei ihnen versagt. Erst am ende verstand ich, dass es wohl die Absicht war, damit man sich nicht mit den Charakteren identifizieren kann (außer Ted, der als einziger gegen Charlie ist) um so zu merken, dass man ein normal denkender Mensch ist.

Rage

Daniel Spruill

Lunacy is when you can’t see the seams where they stitched the world together anymore.

Oof. It’s a tough hang. Knowing King started writing it during high school puts it in context. It’s essentially Stephen King’s Breakfast Club. But it’s not great.

Lara Engle

You might think that a book about a traumatized student who loses it and kills his teacher then holds his algebra class hostage for half a day would terrify a teacher. But we're made of sterner stuff than that. My immediate response to this book is similar to my adult reaction to Holden in The Catcher in the Rye. What a confused, traumatized kid. What a group of confused, traumatized kids. I'm glad we're becoming more aware of the affects of trauma on the brain and working with restorative justice. We can only hope we can help prevent this kind of thing from happening.

As far as the book itself goes, the writing isn't stellar. Cliches abound and most of the characters are flat archetypes like the villainous abusive dad and the golden boy. The first-person point-of-view was a good choice, but in some ways it lessens the suspense. We can read Charlie's mood and have a good idea whether he's amped up enough to shoot or not. This really is like The Breakfast Club if there were 25 kids and one of them had shot the principal. The brief stories from the past told during the standoff are the best part of this book. With each one, we get a glimpse into why each character is who they are. It's also a glimpse into the development of Stephen King as a writer and the depths of backstory he has for every person in a room. Overall, an intriguing read, even if it's not King's (or Bachman's) greatest.

Matthew Royal

A very generation-specific story about societal repression.

I think i know what Stephen King meant when he said "they found something in my book that spoke to them because they w were already broken." 

Have to thank Youtube for suggesting i read it in way that made it impossible for me to just not read it, tbh i am thankful i did read it. 

Shruti<3

I think i know what Stephen King meant when he said "they found something in my book that spoke to them because they w were already broken." 

Have to thank Youtube for suggesting i read it in way that made it impossible for me to just not read it, tbh i am thankful i did read it. 

Mary Garza

Muy turbio y me dejó con una sensación muy estraña.

High Fidelity

Will the bastards censor this part? I bet th
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Garrett Jansen

Anyone saying that they don't understand why this book is out of print hasn't read it. This book sucks and anyone who "likes" it isn't someone you should listen to. Yeah, the whole "angry at the world" thing sucks and probably shouldn't be heralded but the fact that an absolutely unlikable character should be some type of antihero worth appreciation at all is just insulting to a reader looking for a good story. King says this was written primarily in high school and it shows.

Pat G.

Simple, straight forward, all sorts of fucked up. A great picture of the deeper going-ons of what leads individuals to doing fucked up things, and also a pretty candid look at all types of American high school student life/narrative of the 70s. The end made me long for more: the simple omission of what actually happens to Ted and the redacted parts of the last letter to Charlie frustrated me like nothing other (in the best way).

If you are into beat literature then this one hits different cause you’ll take a deeper understanding to the story.

Karla 

https://www.youtube.com/watch?v=Dk6yf...

Llegué a este libro por morbo. Saber que Stephen King pidió que no lo publicaran más me llamó. Según yo sabía a lo que iba, sabia cual era el tema principal. Me esperaba algo sangriento, tipo Gore, no lo que leí. Un chico con un desorden mental, lleno de RABIA y un arma desata un caos en su instituto. Ajá ¿A que pensarias lo mismo que yo? Sangre. 

Pero lo que leí fue un desarrollo de personajes brutal (Maestro Stephen King), el personaje principal Decker nos lleva a través de sus rincones y lugares oscuros. Como poco a poco fue perdiendo la cordura, como psicópata no reconoce sus actos como un daño, los ve como un favor. ¿Quién es el malo Charlie? Lo que está claro es que aquí el que manda sos vos. 

Pero no fue solo el personaje de Charlie, cada personaje secundario te atrapa. La evolución de la trama hasta el estallido de la escena final, solo puedo decir ¡GENIO!

Rage.

Jimena Vázquez Oliver

This is super fucked up and I can understand why it’s banned but also holy SHIT is it enthralling. Could not put it down.

celeste

Wow, what a disappointment. If I thought this had been a captivating read in the beginning and was not sure how to rate it or even review it, the ending made it really easy for me to make up my mind. This was not good, in my opinion.

The entire time I spent reading this I couldn't help but feel like the main character, the killer, was being victimized. Not only because we are literally in his head and we know what he is thinking and his "reasons" for what he is doing, but also because of the way the other characters, his classmates, behave when they are locked with him in the classroom. Why would you act as if you are just hanging out with a friend? he just literally killed two people in front of you, and yet they all treat him like a friend and antagonize another kid (the only one who understood that Charlie needed to be stopped btw) to the point of physically torturing him? WTF!?! 

Charlie spends the entire time they are locked up telling anecdotes of his horrible childhood and of how awful his dad treated him, and all I could think was how fucking bullshit that was. We may all have shitty and fucked up upbringings and yet we don't go around shooting up a school the very first chance we get. That is victimizing the actual KILLER in this situation. The fact that all the kids are like "oh, I'm sorry that happened to you" blah blah blah just made me extremely mad. Why are you sympathizing with a killer? why?? he's literally holding you captive and might even kill you as well, why are you treating him like the fucking victim here? 

But the ending was what made me realize how much bullshit this story was. The fact that Charlie was able to make everyone believe that what they needed to do with Ted was justified was disgusting. They literally tortured another classmate (I don't care how shitty that kid was) and they did it gladly. This whole story was a huge dumpster fire that felt more of a victimization of a killer than an actual insight on school shootings.

Rabia / Rage

Ángel Soto Vázquez

chloe

Lizaveta

natalia

caroline

Jordan

A. D. Knapp

Colton Ray

Amna A.

Kiara Formento

Neuf heures cinq. L'écureuil cavale sur la pelouse. Dans la salle 16, Mme Underwood donne son cours d'algèbre... "si l'on augmente le nombre de variables, les axiomes eux-mêmes restent valides... " L'interphone crache alors une giclée de mots-requins. Charles Decker est convoqué chez le directeur... Neuf heures vingt. Après un entretien destroy, Charly met le feu aux vestiaires. Dans les marais puants de son subconscient, son dinosaure personnel patauge avec rage, Charly ouvre la porte de sa classe, tire sur son prof, qui s'effondre. Exit. Tuée sur le coup. Charly se sent merveilleusement bien. Il est allé jusqu'au bout... Neuf heures cinquante. Océan de silence dans la classe prise en otage. Charly se prépare pour le sprint final. Psychodrame et lavage de cerveau. Tout le monde va passer à la moulinette...