Name: The Call of Cthulhu and Other Weird Stories
ISBN: 9780143106487

H. P. Lovecraft

S. T. Joshi

A definitive collection of stories from the unrivaled master of twentieth-century horror in a Penguin Classics Deluxe edition with cover art by Travis Louie. "I think it is beyond doubt that H. P. Lovecraft has yet to be surpassed as the twentieth century's greatest practitioner of the classic horror tale." -Stephen King Frequently imitated and widely influential, Howard Philips Lovecraft reinvented the horror genre in the 1920s, discarding ghosts and witches and instead envisioning mankind as a tiny outpost of dwindling sanity in a chaotic and malevolent universe. S. T. Joshi, Lovecraft's preeminent interpreter, presents a selection of the master's fiction, from the early tales of nightmares and madness such as "The Outsider" to the overpowering cosmic terror of "The Call of Cthulhu." More than just a collection of terrifying tales, this volume reveals the development of Lovecraft's mesmerizing narrative style and establishes him as a canonical- and visionary-American writer. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The Call of Cthulhu and Other Weird Stories

Part of the Penguin Orange Collection, a limited-run series of twelve influential and beloved American classics in a bold series design offering a modern take on the iconic Penguin paperback Winner of the 2016 AIGA + Design Observer 50 Books - 50 Covers competition For the seventieth anniversary of Penguin Classics, the Penguin Orange Collection celebrates the heritage of Penguin's iconic book design with twelve influential American literary classics representing the breadth and diversity of the Penguin Classics library. These collectible editions are dressed in the iconic orange and white tri-band cover design, first created in 1935, while french flaps, high-quality paper, and striking cover illustrations provide the cutting-edge design treatment that is the signature of Penguin Classics Deluxe Editions today. The Call of Cthulhu and Other Weird Stories Frequently imitated and widely influential, Howard Phillips Lovecraft reinvented the horror genre in the twentieth century, discarding ghosts and witches and instead envisioning mankind as a tiny outpost of dwindling sanity in a chaotic and malevolent universe. This definitive collection reveals the development of Lovecraft's mesmerizing narrative style and establishes him as a canonical--and visionary--American writer.

karissa🌙

The Call of Cthulhu: ☆☆☆

The Shadow Over Innsmouth: ☆☆☆☆

The Colour Out of Space: ☆☆☆☆

H P Lovecraft is credited with reinventing the horror genre in the twentieth century. In this volume, Lovecraft's preeminent interpreter, S T Joshi, presents a selection of the master's fiction. These stories reveal the development of Lovecraft's mesmerizing narrative style and establish him as a canonical - and visionary - American writer.

Kayleigh hughes

This was my first foray into Lovecraft's work but it won't be my last!

The audiobook is a collection of three tales, the novella The Call of Cthulhu and the shortstories The Festival and The Hound. This is a shorter selection than is found in the collection The Call of Cthulhu and Other Weird Tales which was what I orginally believed I was listening too. Overall I found them to be rich and exciting tales that captivated my attention and were filled with that exciting and suspenseful gothic style horror.

Because I listened to this book rather than read it perhaps I would have missed it, at least at first, but Lovecraft has an unbelievable ability to write an attractive sentence. I'm not talking about the actual content of the sentence here, simply the sound and the rhythm the words make, rich and thick like syrup they swirl around your head in the most equisite of manners. They trip off the tongue with ease and yet hold substantial weight. At times it was extremely hard for me to pay attention to the stories because just listening to the lyric/poetic like quality of his word choices were all consuming.

Elene

Each story, a mere piece of the puzzle. 

"The dark woods will be cut down and the blasted heath will slumber far below blue waters whose surface will mirror the sky and ripple in the sun. And the secrets of the strange days will be one with the deep's secrets; one with the hidden lore of old ocean, and all the mystery of primal earth." (The Colour Out of Space)

"As we hastened from that abhorrent spot, the stolen amulet in St. John's pocket, we thought we saw the bats descend in a body to the earth we had so lately rifled, as if seeking some cursed and unholy nourishment. But the autumn moon shone weak and pale, and we could not be sure. So, too, as we sailed the next day away from Holland to our home, we thought we heard the faint distant baying of some gigantic hound in the background. But the autumn wind moaned sad and wan, and we could not be sure." (The Hound)

"I see it - coming here - hell-wind - titan blur - black wings - Yog-Sothoth save me - the three-lobed burning eye...." (The Haunter of the Dark)

Wren Hardwick

I love the creeps, gore and the all-around horror in books. I watch American Horror Story religiously, I live by the code of The Slayers that Joss Whedon laid out for us in Buffy the Vampire Slayer, I research serial killers and studies of their psychological states and look forward to the month of October all year round. So as someone who would rather watch a scary movie or go through a museum filled to the tip of mass murder and corruption than go on some overly-dramatic, romantic date filled with dozens of roses and walks in the park, why doesn’t Lovecraft and King’s story telling agree with me? 

Don’t get me wrong, I love the theatrical adaptions of King so I am assuming that I would love them of H.P. Lovecraft as well, no matter how ironic his last name is. But I can’t seem to stop getting distracted while reading books written by the two dominate horror-writers. Whether it be a pretty butterfly fluttering a foot away or my mind wondering to the never-ending list of books I want and need to read. 

I just don’t feel like a story actually happened. I feel like an old man sat down and told me this horrible thing that he saw once or read about in a documentation his uncle left him, but not the how, the when, the where or the why. Just the what. 

I feel like a tentacle face is only scary with the story surrounding him. Without that, I am just imagining Davy Jones and Captain Jack Sparrow and then I crave a marathon of Pirates of the Caribbean. 

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October reads of horror!