In this stimulating collection of theoretical writings on film, photography, and art, Timothy Murray examines relations between artistic practice, sexual and racial politics, theory and cultural studies. Like a Film investigates how the cinematic apparatus has invaded the theory of culture, as a way of weaving together the disparate psycho-political' fabrics of cultural production, psychoanalysis and politically-marked subject positions. Murray analyses the impact of cinematic perceptions and productions on a wide array of cultural practices: experimental art, from the film-making of Yvonne Ra.