Name: Neuromante
ISBN: 9788445075951

William Gibson

Neuromante

里森

Annabelle Gauthier

His eyes were eggs of unstable crystal, vibrating with a frequency whose name was rain and the sound of trains, suddenly sprouting a humming forest of hair-fine glass spines.

The sky above the port was the colour of television, tuned to a dead channel. William Gibson revolutionised science fiction in his 1984 debut Neuromancer. The writer who gave us the matrix and coined the term 'cyberspace' produced a first novel that won the Hugo, Nebula and Philip K. Dick Awards, and lit the fuse on the Cyberpunk movement. More than three decades later, Gibson's text is as stylish as ever, his noir narrative still glitters like chrome in the shadows and his depictions of the rise and abuse of corporate power look more prescient every day. Part thriller, part warning, Neuromancer is a timeless classic of modern SF and one of the 20th century's most potent and compelling visions of the future.

Neuromancer

I still don’t know what an Ono Sendai is 

Riley

loved creative concepts, settings, plot, one of the best books i read so far 

julius emilian khan 

So much exposition. Ends nicely, but I felt it was hard to follow throughout. 

Matt Moore

Very good and strong intro for rhe sprawl trilogy. But I must warn you there is a lot of phrases and stuff that is normal for cyberpunk that is not explained, so I dont really recommend it for people who want to get into cyberpunk genre in general. Really fun, the action scenes and characters are interesting, but my recommendation as for many cyberpunk or -punk genres, focus on the vibes and not really the stories. 

Delfando Hutagaol

 isn’t just a novel—it’s a blueprint for the future that hit like a lightning bolt in 1984. William Gibson’s debut is dark, tangled, and prophetic, sketching out cyberspace years before the internet became mainstream. This isn’t your typical sci-fi; it’s gritty, neon-lit, and unapologetically dense.

 follows Case, a washed-up hacker who’s been locked out of cyberspace. He’s desperate, strung out, and recruited by the mysterious Armitage for a job that could either kill him or give him back his ticket to the matrix. Along the way, he’s joined by Molly, a razor-sharp street samurai with mirrorshade implants, in a plot that unravels artificial intelligences and corporate conspiracies.

The prose is razor-thin, cool to the touch, and filled with lines that linger long after you’ve closed the book:

“The sky above the port was the color of television, tuned to a dead channel.”

This iconic opener tells you exactly where you’re headed—into a world that’s more machine than man, where technology bleeds into every facet of life.

“Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators, in every nation…”

Gibson’s vision of cyberspace shaped the way we imagine virtual worlds today.

 isn’t always easy to digest. The plot can feel disjointed, and Gibson throws you in headfirst with little hand-holding. That’s part of the appeal, though—the language 

 your attention. It feels like jacking into the matrix itself.

 birthed the cyberpunk genre as we know it. Gibson didn’t just predict the future; he built its aesthetic. From 

-esque environments to the moral ambiguities of technology, the novel asks hard questions about identity, consciousness, and the cost of progress.

 is a cornerstone of speculative fiction. It’s not perfect—sometimes too cryptic for its own good—but it’s electric, raw, and unforgettable. If you haven’t read it yet, plug in.

Erwin Lemuel Oliva

Neuromancer isn’t just a novel—it’s a blueprint for the future that hit like a lightning bolt in 1984. William Gibson’s debut is dark, tangled, and prophetic, sketching out cyberspace years before the internet became mainstream. This isn’t your typical sci-fi; it’s gritty, neon-lit, and unapologetically dense.

At its heart, Neuromancer follows Case, a washed-up hacker who’s been locked out of cyberspace. He’s desperate, strung out, and recruited by the mysterious Armitage for a job that could either kill him or give him back his ticket to the matrix. Along the way, he’s joined by Molly, a razor-sharp street samurai with mirrorshade implants, in a plot that unravels artificial intelligences and corporate conspiracies.

The prose is razor-thin, cool to the touch, and filled with lines that linger long after you’ve closed the book:

“The sky above the port was the color of television, tuned to a dead channel.”

This iconic opener tells you exactly where you’re headed—into a world that’s more machine than man, where technology bleeds into every facet of life.

Another striking moment:

“Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators, in every nation…”

Gibson’s vision of cyberspace shaped the way we imagine virtual worlds today.

But Neuromancer isn’t always easy to digest. The plot can feel disjointed, and Gibson throws you in headfirst with little hand-holding. That’s part of the appeal, though—the language demands your attention. It feels like jacking into the matrix itself.

Why is this novel so pivotal? Neuromancer birthed the cyberpunk genre as we know it. Gibson didn’t just predict the future; he built its aesthetic. From Blade Runner-esque environments to the moral ambiguities of technology, the novel asks hard questions about identity, consciousness, and the cost of progress.

Neuromancer is a cornerstone of speculative fiction. It’s not perfect—sometimes too cryptic for its own good—but it’s electric, raw, and unforgettable. If you haven’t read it yet, plug in.

Lindy

Finally an author who doesn't overexplain everything within an inch of its life. I got tired of reading about neon and temperfoam though.

Apurva Chitnis

This was a deep, hard, heavy read, but ultimately very enjoyable.

Gibson doesn't introduce the cyber-punk world of Neuromancer. He just places you in it, and leaves you to figure it out. No exposition, no hand-holding, which makes it read more like poetry at times than clear prose.

“Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators, in every nation, by children being taught mathematical concepts . . . A graphic representation of data abstracted from the banks of every computer in the human system. Unthinkable complexity. Lines of light ranged in the nonspace of the mind, clusters and constellations of data. Like city lights, receding.”

And whilst for most of the story I struggled to understand what was happening (clearly one of the aims of the author, given how frequently reviewers mention this), I had a very strong sense of the universe in which it took place: dark and dystopian.

Strongly recommended!

(suggestion: I found this synopsis very helpful to read after every few chapters. Yes, that's how hard it is to follow 😃)

Read for class. Cool concepts but very confusing. 

liya n

Erik Horton

Traci Wilbanks

If I read this when it was released, it might have blown my mind, but the concepts of a virtual world and AIs seems a bit too commonplace now to be mind-blowing. I didn't really connect with the protagonist enough to really care about him or his story. Having read the Blue Ant trilogy recently, I felt like this book was overhyped a bit of a letdown.

William F. Gibson

Gavin

FABIO FERNANDES

No futuro, existe a matrix. Uma espécie de alucinação coletiva digital na qual a humanidade se conecta para, virtualmente, saber de tudo sobre tudo. Mas há uma elite que navega por essa grande rede de informação - os cowboys. Case era um deles, até o dia em que tentou ser mais esperto do que os seus patrões. Que fritaram suas conexões com o ciberespaço, tornando-o um pária entre os seus iguais. Ele vaga pelos subúrbios de Tóquio, mais envolvido do que nunca em destruir a si próprio, até ser contatado por Molly, uma bela e perigosa mulher que, assim como ele, desconfia de tudo e de todos. Os dois acabam se envolvendo numa missão cheia de mistérios e perigos. Esta edição comemorativa de 25 anos de 'Neuromancer' conta com nova tradução de Fábio Fernandes e prefácio de William Gibson. O romance de estréia de Gibson é o primeiro volume da chamada 'Trilogia do Sprawl', que ainda inclui os livros 'Count Zero' e 'Mona Lisa Overdrive'.

Midori Kobayashi

no plot, no character development, nothing. why tf is this book a long-time best seller again???? (as one of my friends said in their review this book will make a mf fall out of love with reading lmao)

»Der Himmel über dem Hafen hatte die Farbe eines Fernsehers, der auf einen toten Kanal geschaltet war.« Mit der Neuromancer-Trilogie hat William Gibson die Science Fiction revolutioniert. Sein Debütroman »Neuromancer« gewann den Hugo-, den Nebula- und den Philip-K.-Dick-Award, die drei wichtigsten Preise des Genres. Zudem hat er nicht nur die Begriffe Matrix und Cyberspace geprägt, er hat ein ganzes Genre begründet: Cyberpunk. Das Netz ist allgegenwärtig, der Cyberspace zu einer zweiten Realität geworden, bestimmt von KIs und hart umkämpft von riesigen Firmenkomplexen, Hackern und Kriminellen. Ein Raum, der ungeahnte Möglichkeiten bietet, aber auch ein Ort, an dem das Gesetz des Stärkeren gilt und an dem Ethik und Moral längst überkommene Begriffe sind ... Nach einem fehlgeschlagenen Auftrag scheinen sich für den jungen Hacker Case die Träume erstmal erledigt zu haben. Sein Nervensystem ist beschädigt und der Zugang zum Cyberspace damit unmöglich. Aussichten auf Heilung scheint es erstmal keine zu geben, doch da kommt Case zu einem neuen Auftrag, einem, der das Blatt wenden soll. Die Frage ist nur, für wen ...

Roman

Anthony Bosio

Reading Gibson was long overdue for me. His work always seemed like it would be at the crossroads of many of my interests. And I always intended to start at the beginning. But now I’m surprised and disappointed to say I’m not sure if I will pick up another. The first half was very engaging. It started to lose me in the 3rd quarter and by the last quarter I was sprinting to just finish and be free of it. I blame this on my own shortcomings. I just lost the thread somewhere and I didn’t understand what was happening or how it ended.

Yuvraj Jha

Chiyeung lau

I am sad that the story ended and wished it kept going. A real page turner and definitely revolutionary for its time. Hard to believe it was written over 30 years ago and it still holds up.

Nelson Zagalo

A relevant book mostly because of what it represents and contextualises than for itself. There's little literary value and from an exclusive narrative point of view it completely fails. 
Gibson and this book is high revered for having coined the cyberspace term as also for having started the cyberpunk literature genre. However the story and its form lacks structure and competence to engage the reader. The protagonist Case is just a pawn with no depth, as for the plot it has no continuity and no setting.

Adam

Yet another cyberpunk book that I didn't love. It's funny how much I love this genre in movie form, but can't stand it in book form. It's easy to appreciate this one though. Seeing how much this one parallels The Matrix was crazy.

ben wolfson

essential sci fi, but could be hard to follow at times

Sarah Escorsa

I had been wanting to read this book for a long time when I finally picked it up and I have to say that I really struggled through the first 80 pages. I found the story confusing and didn't really understand what was going on. Then I read some very bad reviews here and there and almost dropped the book altogether... I'm so glad I didn't, this really is a great read! After a slowish start, the pace picked up and the plot started to make sense... I was hooked and read the book in one sitting:) When I think of the negatives reviews I read, I think the people that wrote them forget that this book was published in 1984, long before anyone ever heard of The Matrix! No wonder many people consider Gibson the father of cyberpunk, he was quite the visionary when he wrote the book!

michael haaf

Made it halfway through, before moving on to higher priority reads. Was pretty bored throughout. I'll come back to it later.

I wanted to like this but I don't think I get it.

Barry Hess

This is the book widely credited with popularizing the word "cyberspace." From what I could tell the depiction here is quite Tron-like. Grids and blocks. It took a while to get into this one. I like to give books about 30-40% of the page length to get going, and this one rewarded me. The dystopian future in this case isn't quite so wild as a Neal Stephenson novel. Then again, Gibson weaves a more traditional story and in a lot fewer pages.