Carin Kuoni

Ingrid Schaffner

The Institute of Contemporary Art (ICA) is pleased to present "The Puppet Show," a group exhibition that looks at the imagery of puppets in contemporary art. International in scope, "The Puppet Show" brings together 29 artists and several generations, as reflected by works that range from a 1974 installation by Dennis Oppenheim to a new animation by the Swedish artist Nathalie Djurberg. The exhibition concentrates on sculpture, video and photography. Some of the works involve actual puppets (marionettes, shadow puppets, hand puppets) and artists performing as puppeteers. Other images evoke topics associated with puppetry (manipulation, miniaturization, agency, control). Collectively these works show puppets to be a provocative and relevant imagery - one that moves deep into social, political and psychological terrains. The puppet show takes as a historic point of departure one of the first episodes of avante-garde art history: Alfred Jarry's 1896 play Ubu Roi that was conceived as a puppet show. Ubu's reign continues with the work of the South African artist William Kentridge in collaboration with the Handspring Puppet Company. More recently, puppets have taken hold of pop consciousness by way of films, theater, computer games and animation. On a more political note, current events and national leadership raise questions of agency that cogently relate to puppets. Together with these collective points of reference, "The Puppet Show" poses a larger cultural question: why do puppets matter now?

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