Chris Gibson

John Connell

Professor John Connell

Sound Tracks traces the ways in which music has informed complex globalisations, the role of companies and technology in diffusion, innovation and commercialism and the wider significance of cultural industries. It links migration and mobility to new musical practices, whether in 'developing' countries or metropolitan centres, and traces the recent rise of 'music tourism'. It examines issues of authenticity and credibility, and the quest for roots within different musical genres, from buskers to brass bands, and from rap to rai. Sound Tracks emphasises music's contributions to the contradictions, illusions and celebrations of contemporary life. It situates music and the music industry within spatial theories of globalisation and local change: fixity and fluidity entangled.

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