Laura E. Richards

Excerpt from Five Mice in a Mouse-Trap: By the Man in the Moon; Done in the Vernacular, From the Lunacular You see, I live very quietly up here, very quietly indeed, with only my dog to bear me company. He is a good dog, and very funny sometimes, but still I have a good deal of time on my hands, and nothing amuses me so much as to watch all that is going on down on your planet, and see what people in general, and children in particu lar, are doing, every day and all day. You may wonder how I can see so far, and see distinctly, but that is easily explained. I have a great, monstrous mirror, which is oh! Well, if I were to tell you how big it is, you would not believe me, so I will only say that it is very big indeed. This mirror has also the advantage of being a very strong magnifying glass, and as I can tlp It In any direction I please, you will easily understand that I can see just what is going on in any part of the world that I happen to be interested in. For instance, Tommy Tiptop, the glass was tipped towards New York this morning, and I saw you take away your little sister's stick of candy, you greedy bov'. Yes, and I saw you. Put in the closet for it, too, so that was well ended. Children are the same, I find, all the world over, for it was only yesterday that a little boy in Kamschatka (an ugly little Tartar he is, and not so very unlike you), named Patchko, while his father was out hunting, took away a tallow candle from his Sister, which seemed just as good to her as the barley sugar did to little Katie. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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