Sunil Kumar

Arindam Basu

Saibal Ray

Noveena Chakravorty

Sharmila Kayal

Sayak Pal

K. S. Chithra Lekshmi

Dr. R. Jayaseelan

Dr. S. Kadeswaran

Arpan Paul

Nimit Rajesh Sachde

Dr. Ankit Kashyap

Dr. Debastuti Dasgupta

Soumyadeep Sarkar

Gadamsetty Surya

Brindha D

Dr. Jayaseelan R

Samhita S. Mysorae

Md. Nuruddin Pier Shihab

Dr. Suresh Gaur 

Vijay Anand Panigrahi

Pamela Ghosh

Utsha Sarkar

Riddhima Yadav

Dr. Archan Mitra

Sayani Das

Dr. Rakesh Tripathi

Dr. C. Sriram

Dr. V. Mohanasundaram

Subinita Paul

Palak Bisht

Tasha Singh Parihar

Manasa M

Abdul Rasheed A P K

Anju Michael

Sonali Jha

Dr. Tamanna M. Shah

Dr. Sheweta Gaur

Manv Sharma

Dr. Ramalakshmi L

Film has always acted as a window to the society where it brings out various essences of life. India has always shown prominence in representing its inheritance and rich cultural lineage through different layers of films. Right from “Raja Harishchandra” as a full-length feature film in 1913 to the most contemporary films released on OTT, everything and everyone embedded in any of the films made in India has some level of relevance to the time and society, therefore, they can be called contemporary while projecting some form of social message through their presence. The book “Indian Contemporary Films and Societal Reflection” presents a collection of a list of reviews based on some of the perspectives and concepts portrayed through films like commercialism, gender identity, gender representation, portrayal of power, cinema as a form of art, casteism in cinema, political discourse in cinema, inequality, resilience, relationship, oppression, animation, celluloid reverberations, propaganda and agenda planning, and many more. The twenty-six enthralling chapters from forty-nine authors are collected in this book, which would provide an extensive understanding of different perspectives of films and help identify the societal portrayal of films in various ways.

Indian Contemporary Films and Societal Reflection

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