National Gallery of Australia

Melanie Eastburn

Roger Leong

This book is the first in-depth study of printmaking in Papua New Guinea from its beginnings in the late 1960s to the present. It explores the National Gallery of Australia's exceptional collection of over 600 prints and drawings from Papua New Guinea, including the earliest known contemporary prints. The book is the result of research undertaken by the author while the inaugural recipient of the Gordon Darling Fellowship for the study of prints and printmaking in Australia and the Australasian region.

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