Sarah Kent

Jacqueline Morreau

This volume comprises challenging essays and interviews with women of different generations who discuss their conflicts and goals as artists and who portray men as objects of sexual desire, as persecutors, poseurs, emotional dependants or friends. The book evolved out of the controversy aroused by an exhibition of the same name which opened at the Institute of Contemporary Arts in London and toured Britain. Many critics denounced the show for its scratching and biting savagery.

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