Stephen Addiss

Markus Brüderlin

Katharina Epprecht

In Western art, Minimalism is characterised by the rejection of figurative representation in favour of reduction and simple geometric configurations. In Japanese culture, emptiness and simplicity have long been the central principles of design, and are allied closely to Zen Buddhism. This fascinating book explores Western Minimalism and the concept of 'm̀eaningful emptiness' in Zen art, examining their differences and similarities. Examples of traditional Japanese craftsmanship are juxtaposed with works of Western art. Japan and the West poses fundamental questions about artistic production and the reception of twentieth-century art, and highlights significant influences on art forms throughout the ages.

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