Chon A. Noriega

Latin American Cinema and Video

Visible Nations

Ana M. López

This groundbreaking volume is the first to examine the range of Latino media arts, from independent feature production to documentary to experimental video. The essays explore the work of Chicano, Puerto Rican, Cuban American, and Latino film and video artists and address avant-garde practices, queer media, and performance art, as well as more conventional film and video representations.

Latino Media Arts

The Ethnic Eye

Los Angeles County Museum of Art

Pilar Tompkins Rivas

Terecita Romo

Pillar Tompkins

Autry National Center

Catalog of exhibitions held at the Autry National Center, Los Angeles, Calif., Oct. 14-2011-Jan. 8, 2012, the Fowler Museum at UCLA, Los Angeles, Calif., Sept. 25, 2011-Feb. 26, 2012 and Oct. 16, 2011-Feb. 26, 2012, and LACMA, Los Angeles, Calif., Oct. 16, 2011-Jan. 22, 2012.

L.A. Xicano

Cultural Studies. Latino/Latina Studies. Despite the growth of the Latino community in the United States, Latinos have entered the twenty-first century with lower levels of media representation than when protests first raised the the issue in the 1960s. Latinos remain the most underrepresented of all minority groups in film and television. This volume addresses this dire situation by collecting information from the landmark 1999 conference held by the National Association of Latino Independent Producers to renew the fight for media access. Sponsored by concerned Latino groups, the conference was the first national gathering on Latino independent media since the 1970s.

A NALIP Sourcebook

The Future of Latino Independent Media

Jennifer Gonzalez

Mexican Museum

Chicano Narrative Photography

From the West

Kevin Power

Manuel Ocampo

Wounds of the Tongue

Wendy Laura Belcher

Charlene Villaseor Black

This collection of essays, drawn from Aztlán: A Journal of Chicano Studies, focuses on the personal experiences of Chicanx and Latinx scholars, writers, and artists. Each essay is a reflection on the process of self-naming--the role of "I"--in the authors' work and research. Autobiography without Apology expands the earlier CSRC Press publication I Am Aztlán with the inclusion of ten essays that bring the collection up to date. The new title acknowledges Aztlán's growing scope as it embraces Latinx, LGBT, and Indigenous studies as well as Chicanx studies.

The Personal Essay in Chicanx and Latinx Studies

Autobiography Without Apology

Chela Sandoval

Chicano Studies. This anthology brings together twenty ground-breaking essays from AZTLAN: A JOURNAL OF CHICANO STUDIES, the journal of record in the field. Spanning thirty years, these essays shaped the development of Chicano studies and testify to its broad disciplinary and thematic range. The anthology documents four major strands in Chicano scholarship and is divided into sections accordingly: Decolonizing the Territory, Performing Politics, Configuring Identities, and Remapping the World. Each section is introduced by one of the co-editors: Chon A. Noriega, Eric R. Avila, Karen Mary Davalos, Chela Sandoval and Rafael Perez-Torres.

An Anthology of Aztlán, 1970-2000

The Chicano Studies Reader

Television, the State, and the Rise of Chicano Cinema

Shot in America

Chon A. Noriega

Books

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