Howard Norman

Howard Norman's The Bird Artist, the first book of his Canadian trilogy, begins in 1911. Its narrator, Fabian Vas is a bird artist: He draws and paints the birds of Witless Bay, his remote Newfoundland coastal village home. In the first paragraph of his tale Fabian reveals that he has murdered the village lighthouse keeper, Botho August. Later, he confesses who and what drove him to his crime--a measured, profoundly engrossing story of passion, betrayal, guilt, and redemption between men and women. The Bird Artist is a 1994 National Book Award Finalist for Fiction.

A Novel

The Bird Artist

National Book Award Finalist Howard Norman delivers another "provocative . . . haunting"* novel, this time set in a Vermont village and featuring a missing child, a newly married private detective, and a highly relatable ghost (*Janet Maslin, New York Times) Simon Inescort is no longer bodily present in his marriage. It's been several months since he keeled over the rail of a Nova Scotia-bound ferry, a massive heart attack to blame. Simon's widow, Lorca Pell, has sold their farmhouse to newlyweds Zachary and Muriel--after revealing that the deed contains a "ghost clause," an actual legal clause, not unheard of in Vermont, allowing for reimbursement if a recently purchased home turns out to be haunted. In fact, Simon finds himself still at home: "Every waking moment, I'm astonished I have any consciousness . . . What am I to call myself now, a revenant?" He spends time replaying his marriage in his own mind, as if in poignant reel-to-reel, while also engaging in occasionally intimate observation of the new homeowners. But soon the crisis of a missing child, a local eleven-year-old, threatens the tenuous domestic equilibrium, as the weight of the case falls to Zachary, a rookie private detective with the Green Mountain Agency. The Ghost Clause is a heartrending, affirming portrait of two marriages--one in its afterlife, one new and erotically charged--and of the Vermont village life that sustains and remakes them.

The Ghost Clause

Selling his life story to a filmmaker known for the stylized violence portrayed in his work in the aftermath of his sensual wife's murder, Sam develops a cat-and-mouse relationship with the filmmaker and begins experiencing wrenching hallucinations.

Next Life Might Be Kinder

A drama of murder, love, and redemption set in Nova Scotia in the final year of World War I.

Come to the Window

A witty, engrossing homage to noir from National Book Award finalist Howard Norman Jacob Rigolet, a soon-to-be former assistant to a wealthy art collector, looks up from his seat at an auction--his mother, former head librarian at the Halifax Free Library, is walking almost casually up the aisle. Before a stunned audience, she flings an open jar of black ink at master photographer Robert Capa's "Death on a Leipzig Balcony." Jacob's police detective fianc�e, Martha Crauchet, is assigned to the ensuing interrogation. In My Darling Detective, Howard Norman delivers an engaging homage to noir, as Jacob's understanding of the man he has always assumed to be his father unravels against the darker truth of Robert Emil, a Halifax police officer suspected but never convicted of murdering two Jewish residents during the shocking upswing of anti-Semitism in 1945. The denouement, involving a dire shootout and an emergency delivery--it's the second Rigolet to be born in the Halifax Free Library in a span of three decades--is Howard Norman at his "provocative . . . haunting"* and uncannily moving best. *Janet Maslin, New York Times

My Darling Detective

A Memoir of Myth and Uncommon Friendship in the Arctic

In Fond Remembrance of Me

Eva Malsch

Roman

Lange helle Sommer

The Haunting of L.

I begyndelsen af århundredet vokser Fabian Vas op i en lille havneby på Newfoundland, hvor han dyrker sit talent for fuglemaling. Det lille samfund er lukket og specielt, og alt bryder sammen, da Fabian i jalousi myrder moderens elsker

A rich portrait, set during World War II, of the seductions of danger and the vagaries of identity follows DeFoe Russett, a Nova Scotia museum guard, who steals a painting special to Imogen Linny, caretaker of the Jewish cemetery. Reprint. 35,000 first printing. Tour.

The Museum Guard

A witty, engrossing homage to noir from National Book Award finalist Howard Norman

An exquisite and harrowing new novel about ordinary lives swept up in the chaos of history, as the shadow of WWII touches Halifax. Defoe Russet, orphaned at age nine by a Zeppelin crash, has grown up in the care of his magnetic uncle Edward. Now twenty-five, he works as a guard at the Glace Museum in Halifax. But, caught up in a tormenting love affair with Imogen Linny, the caretaker of the small Jewish cemetery, he finds himself unexpectedly catapulted into the horrors of war.

A two-time National Book Award finalist delivers a stirring tale of the passions - tender, obsessive, even murderous - that are unleashed by a wartime love triangle. Seventeen-year-old Wyatt Hillyer is suddenly orphaned when his parents, within hours of each other, jump off two different bridges - the result of their separate involvements with the same compelling neighbor, a Halifax switchboard operator and aspiring actress. The suicides cause Wyatt to move to small-town Middle Economy to live with his uncle, aunt, and ravishing cousin Tilda. Setting in motion the novel's chain of life-altering passions and the wartime perfidy at its core is the arrival of the German student Hans Mohring, carrying only a satchel. Actual historical incidents - including a German U-boat's sinking of the Nova Scotia-Newfoundland ferry Caribou - lend intense narrative power to Norman's uncannily layered story. Wyatt's account of the astonishing events leading up to his fathering of a beloved daughter spills out twenty-one years later. What Is Left the Daughter is Howard Norman at his celebrated best.

What Is Left the Daughter

Stories from the Native Peoples of the Arctic and Sub-Arctic Regions (Fairy Tale and Folklore Series)

Northern Tales

After his friend drowns, fifteen-year-old Noah Krainik decides to leave his childhood and hometown in the frozen wilderness of Northern Manitoba and journey to a new life in the city of Toronto. Reprint. 10,000 first printing.

The Northern Lights

National Book Award finalist Howard Norman delivers another “provocative . . . haunting”* novel, this time set in a Vermont village and featuring a missing child, a newly married private detective, and a highly relatable ghost. *Janet Maslin, New York Times Simon Inescort is no longer bodily present in his marriage. It’s been several months since he keeled over the rail of a Nova Scotia–bound ferry, a massive heart attack to blame. Simon's widow, Lorca Pell, has sold their farmhouse to newlyweds Zachary and Muriel—after revealing that the deed contains a “ghost clause,” an actual legal clause, not unheard of in Vermont, allowing for reimbursement if a recently purchased home turns out to be haunted. In fact, Simon finds himself still at home: “Every waking moment, I'm astonished I have any consciousness . . . What am I to call myself now, a revenant?” He spends time replaying his marriage in his own mind, as if in poignant reel-to-reel, while also engaging in occasionally intimate observation of the new homeowners. But soon the crisis of a missing child, a local eleven-year-old, threatens the tenuous domestic equilibrium, as the weight of the case falls to Zachary, a rookie private detective with the Green Mountain Agency. The Ghost Clause is a heartrending, affirming portrait of two marriages—one in its afterlife, one new and erotically charged—and of the Vermont village life that sustains and remakes them.

This haunting story of love and the aftermath of a murder is “a complex literary novel and a page-turner that’s impossible to put down” (Minneapolis Star-Tribune). Sam Lattimore met Elizabeth Church in an art gallery in 1970s Halifax. But their brief, erotically charged marriage was extinguished with Elizabeth’s murder. Since that traumatic loss, Sam’s life has grown complicated. In a moment of desperate confusion, he sells his life story to a Norwegian filmmaker named Istvakson, known for the stylized violence of his films. Soon he comes to regret his decision, leading to an increasingly intense game of cat and mouse between the two men. Furthermore, Sam has begun “seeing” Elizabeth—not only seeing but holding conversations with her, almost every evening, and what at first seems simply hallucination born of terrible grief reveals itself, evening by evening, as something else entirely. Next Life Might Be Kinder is a “riveting” novel (The Washington Post) by a two-time National Book Award nominee, the acclaimed author of The Bird Artist and What Is Left the Daughter—and features “an opening sentence worthy of the Noir Hall of Fame” (The New York Times).

Howard Norman spent the fall of 1977 in Churchill, Manitoba, translating into English two dozen "Noah stories" told to him by an Inuit elder. The folktales reveal what happened when the biblical Noah sailed his Ark into Hudson Bay in search of woolly mammoths and lost his way. By turns startling, tragic, and comical, these inimitable narratives tell the history of the Arctic and capture the collision of cultures precipitated by the arrival of a hapless stranger in a strange land. Norman himself was then a stranger in a strange land, but he was not alone. In Churchill he encountered Helen Tanizaki, an Anglo-Japanese woman embarked on a similar project--to translate the tales into Japanese. An extraordinary linguist and an exact and compelling friend, Tanizaki became Norman's guide through the characters, stories, and customs he was coming to know, and a remarkable intimacy sprang up between them--all the more intense because it was to be fleeting; Tanizaki was fatally ill. Through a series of overlapping panels of reality and memory, Howard Norman's In Fond Remembrance of Me recaptures with vivid immediacy a brief but life-shifting encounter and the earthy, robust stories that occasioned it.

“Some books celebrate the human condition; others commiserate with us. This memoir does both.” —Helen Oyeyemi, NPR This spellbinding memoir by the National Book Award–nominated author of The Bird Artist begins with a portrait, both harrowing and hilarious, of a midwestern boy’s summer working in a bookmobile, under the shadow of his grifter father and the erotic tutelage of his brother’s girlfriend. Howard Norman’s life story continues in places as far-flung as the Arctic, where he spends part of a decade as a translator of Inuit tales—including the story of a soapstone carver turned into a goose whose migration-time lament is “I hate to leave this beautiful place”—and in his beloved Point Reyes, California, as a student of birds. Years later, Norman and his wife lend their Washington, DC, home to a poet and her young son, and a subsequent murder-suicide in the house has a profound effect on them. In this “unexpectedly arresting” memoir, life’s unpredictable strangeness is fashioned into a creative and redemptive story (The New York Times Book Review). “Norman uses the tight focus of geography to describe five unsettling periods of his life, each separated by time and subtle shifts in his narrative voice. . . . The originality of his telling here is as surprising as ever.” —The Washington Post “These stories almost seem like tall tales themselves, but Norman renders them with a journalistic attention to detail. Amidst these bizarre experiences, he finds solace through the places he’s lived and their quirky inhabitants, human and avian.” —The New Yorker

Howard Norman

Books

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